Video Finishing & Colorist Work:
Client:
Netflix
Project Name:
Emilia Pérez - Main Trailers
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Handled complex speed changes using the Twixtor Plug in.
Applied company branding to comply with their internal standards.
Assembled Cinema versions of spots with compliant audio and sequence formatting.
Created social resizes based on preps from creative vendors.
Created all final deliverables that were supplied to Netflix.
Personal Credits:
Finishing Editor
Year Released:
2024
Client:
Netflix
Project Name:
A Family Affair - Main Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Assembled Cinema versions of spots with compliant audio and sequence formatting.
Created social resizes based on preps from creative vendors.
Created all final deliverables that were supplied to Netflix.
Personal Credits:
Finishing Editor
Year Released:
2024
Client:
Amazon Prime Video
Project Name:
The Boys (Season 3 - 4) - Main Trailer’s
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Handled custom ad spots from dailies for Liquid Death & Postmates.
Handled two complex EPK BTS trailers that focused on Stunts & VFX and featured a mix of interviews, BTS footage, WIP VFX Comps, and final Episode footage.
Applied company branding to comply with their internal standards.
Assembled Broadcast versions of spots with compliant audio and sequence formatting.
Assembled Cinema versions of spots with compliant audio and sequence formatting.
Created social resizes and handled all key-framing and content repositioning to fit 1x1, 4x5, 9x16, and TikTok deliverables.
Created all final deliverables that were supplied to Amazon.
Personal Credits:
Finishing Editor
Year Released:
2023 - 2024
Client:
Amazon Prime Video
Project Name:
The Second Best Hospital In The Galaxy (Season 1) - Main Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Handled custom ad spots from dailies and and two BTS Featurette’s.
Applied company branding to comply with their internal standards.
Assembled Broadcast versions of spots with compliant audio and sequence formatting.
Created social resizes and handled all key-framing and content repositioning to fit 1x1, 4x5, 9x16, and TikTok deliverables.
Created all final deliverables that were supplied to Amazon.
Personal Credits:
Finishing Editor
Year Released:
2024
Client:
Netflix
Project Name:
Rustin (Film) - Main Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Assembled Broadcast versions of spots with compliant audio and sequence formatting.
Assembled Cinema versions of spots with compliant audio and sequence formatting.
Created social resizes based on preps from creative vendors.
Created all final deliverables that were supplied to Netflix.
Personal Credits:
Finishing Editor
Year Released:
2023
Client:
Freevee
Project Name:
Monumental: Ellie Goulding at Kew Gardens (Film) - Main Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This project required extensive color work due to the clients discontent with the graded shots we were provided for finishing.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Created social resizes and handled all key-framing and content repositioning to fit 1x1, 4x5, 9x16, and TikTok deliverables.
Created all final deliverables that were supplied to Freevee.
Handled Color duties across all shots in the main trailer and subsequent cut downs.
Personal Credits:
Finishing Editor & Main Colorist
Year Released:
2023
Client:
Amazon Prime Video
Project Name:
Jack Ryan (Season 3 - 4) - Main Trailers
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Assembled Broadcast versions of spots with compliant audio and sequence formatting.
Created social resizes and handled all key-framing and content repositioning to fit 1x1, 4x5, 9x16, and TikTok deliverables.
Created all final deliverables that were supplied to Amazon.
Handled Color duties on select shots that went to final.
Personal Credits:
Finishing Editor & Colorist
Year Released:
2022 - 2023
Client:
Freevee
Project Name:
Jury Duty (Season 1) - Main Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Assembled Broadcast versions of spots with compliant audio and sequence formatting.
Created social resizes and handled all key-framing and content repositioning to fit 1x1, 4x5, 9x16, and TikTok deliverables.
Created all final deliverables that were supplied to Freevee.
Personal Credits:
Finishing Editor
Year Released:
2023
Client:
Netflix
Project Name:
Glass Onion: A Knives Out Mystery (Film) - Main Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Assembled Broadcast versions of spots with compliant audio and sequence formatting.
Assembled Cinema versions of spots with compliant audio and sequence formatting.
Created social resizes based on preps from creative vendors.
Created all final deliverables that were supplied to Netflix.
Handled Color duties on select shots that went to final.
Personal Credits:
Finishing Editor & Colorist
Year Released:
2022
Client:
Amazon Prime Video
Project Name:
A League of Their Own (Season 1) - Main Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Created social resizes and handled all key-framing and content repositioning to fit 1x1, 4x5, 9x16, and TikTok deliverables.
Created all final deliverables that were supplied to Amazon Prime Video.
Personal Credits:
Finishing Editor
Year Released:
2022
Client:
Netflix
Project Name:
Sandman (Season 1) - Trailer
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Assembled Broadcast versions of spots with compliant audio and sequence formatting.
Assembled Cinema versions of spots with compliant audio and sequence formatting.
Created social resizes based on preps from creative vendors.
Created all final deliverables that were supplied to Netflix.
Personal Credits:
Finishing Editor
Year Released:
2022
Client:
Freevee
Project Name:
Jeff Lewis: Hollywood House Flip (Season 1 - 2) - Main Trailer’s
About the Project:
As one of the in house Finishing Editors for Pixwel, it was my job to receive edit preps from creative vendors and then rebuild using final source material, along with adding company branding, and creating social resizes / final deliverables. This also sometimes includes making small creative fixes or color tweaks, along with making the needed changes for social resizes of the wide trailer.
Responsibilities:
Received Preps from Creative vendors and faithfully recreated them using final source material.
Applied company branding to comply with their internal standards.
Created social resizes and handled all key-framing and content repositioning to fit 1x1, 4x5, 9x16, and TikTok deliverables.
Created all final deliverables that were supplied to Amazon.
Personal Credits:
Finishing Editor
Year Released:
2022 - 2024